m. are frequently stopped. The Shansi soldiers are countryfolk Changsha Map Tourist Attractions with ragged uniforms. Ancient brass guns mounted on pack mules serve as artillery. But the Changsha Map Tourist Attractions men have pleasant smiles and polite manners, which is a refreshing contrast to the behaviour of the Fengtien soldiers. Marco Polo, his father and uncle ended their epic journey in 1273 when they reached the emperor’s summer palace near Beijing, and soon after my own arrival in Beijing I made my way there by public bus.
Deyan Sudjic places the responsibility of the modern city formation predominantly with developers and to some extent planners (Sudjic 1993). He finds vitality in multilayered complexity; as a proponent of renewal, Sudjic is also scathing about the influence of perceived rosy urban history in fetishizing the preservation of the old through unconvincing arguments about community value.
The position of Dutch architect and theorist, Rem Koolhaas (1994) is that big cities will always be complex, but he alerts us to the danger of synthesizing complexity as a collage, for example in his interview with John Rajchman (Koolhaas 1994):
JR: You say Bigness alone instigates a regime of complexity’ in which programmatic elements react with one another to create new events.’ How does this differ from the sort of complexity Robert Venturi called the difficult whole,’ or Colin Rowe the collage’?
RK: Collage is simulated complexity: instead of a Mondrian-esque composition of slabs, you imagine a Piranesian composition of fragments. It is composed, controlled, limited -it’s a purely visual complexity.
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